![]() ![]() Whichever route discerning users choose to take, the result remains the same: seamless integration of all external devices with the host computer. ![]() Alternatively, another way of simply synchronising multiclock to a DAW is to load the special sync sample downloadable from the dedicated E-RM Erfindungsbüro webpage. Multiclock makes such sync possible by providing an audio INPUT (1/4-inch jack socket) to process a special sync track generated from the company’s downloadable multiclock AU/VST plug-in (for Mac OS X/Windows) namesake. Jitter is the undesired deviation of a periodic signal from the ideal timing. ![]() Synchronising multiclock to a master DAW relies on a sample-accurate audio clock stream, which, in turn, guarantees tight clock signals to within ☑ sample of jitter. The multiclock achieves this by acquiring a variety of sync signals from an Audio Sync track, as opposed to relying on a MIDI Clock signal. by converting clock signals for tight integration into production workflow without troublesome timing issues, as well as providing helpful and creative realtime shift and shuffle controls to independently compensate for sloppy slave machine delays and also add groove to each creative channel -ĮR-M’s multiclock was built to overcome all of the well-documented problems associated with achieving tight sync from computer’s running the latest Digital Audio Workstations (DAW) to external sequencers, drum machines, arpeggiators. ![]() There is one virtual MIDI Output for each channel and all commands are priority-merged with the accurate supplied clock.E-RM Erfindungsbüro has released multiclock, a multi-channel, multi-format sync box that claims to build “a musical bridge” between computer audio workstations and external (MIDI, DIN Sync/sync24, and analogue modular) musical gear. The added USB feature enables users to send any MIDI commands from a DAW to the connected slave devices while syncing to Audio Clock. Multiclock can also be used as a standalone Master Clock generator as well. Beside that, it is possible to sync the Multiclock to incoming MIDI Clock, DIN Sync, or Analog Clock from a modular system. Synchronization of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with +-1 sample of jitter. The incoming audio signals are converted by the Multiclock into stable clock and sent to the four channels’ outputs. The Multiclock receives it’s timing information from the audio track of the DAW, using the supplied Plug-in installed on the computer. The tempo range is 30-300 BPM, and the shift range is +-400ms and the resolution 20μs. As if all that isn’t enough, unused channels can always be used as a MIDI controller. The Multiclock offers Hot-Plug&Play support for MIDI, DIN, Modular Clock, & Analog LFO for each channel. It features four ultra precise channels, all separately shiftable and swingable in real time to compensate slave machine delay and to add groove to clock. The Multiclock converts all kinds of clock signals from one to another and is able to drive highly accurate Sync with a plugin provided from the sound card of a DAW or even generate Master Clock itself. The E-RM ‘Multiclock USB’ is a multi-format solution for audio device synchronization of all kinds of musical gear with great precision to a DAW or Master Clock. New, went unused and remained in storage. ![]()
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