![]() ![]() Kings, it’s time to take your crown.įor more Audioweb visit Facebook, Twitter and BandcampĪll words by Iain Key. Close your eyes and imagine it’s a hot summers day, you’re at a festival with these tunes blasting out of the PA, the bass hitting you full on, defying you not to move. Every track on here, I An I In The Line Of Fire (Children) and Remember That Monday sound timeless, yet of the moment. Following on from King, the other tracks on Input/0utput Vol 1 sound just as epic, positively cinematic. ![]() The band started pitching ideas to one another again back in the summer of 2021. It’s been a long time coming but this is probably the best period to get out there and show the new school how it’s done in the world of dub reggae / rock, soul and funk.”. As Louder Than War said at the time, “They don’t stray away from their original sound yet this sounds like a rebirth of sorts as the production is solid gold and sounds like it’s been produced by Tosh or Perry in a state of the art studio. The 1990’s Audioweb were years ahead of their time.Īfter a 2016 support slot with The Stone Roses proved to be a false dawn, last years release suggested things were back on track. Are you in the know on the latest business trends, tips, strategies, and tax implications SVAs Biz Tips are quick reads on. Never fitting in with the 90’s post Britpop scene they eventually split in 1999 with all members remaining in music. Unfortunately the band were too rock for the ravers and too rave for the rockers. The majority of the band’s singles reached the Top 75 with a couple making it either side of the No 20 position. Both albums were given a welcome vinyl reissue in 2021. 1996’s self titled debut was followed in 1998 by Fireworks City and featured the standout Policeman Skank… (The Story of My Life) along with singles Personal Feeling Get Out Of Here and Test The Theory. By 1995, after honing their craft supporting the likes of Madness Cast Stone Roses and U2, they signed to the latter’s Mother Records and released tracks which still stand up today such as Sleeper and Into My World as well as a triumphant cover of The Clash’s Bankbobber. Formed in 1991 the band were initially called The Sugar Merchants and appeared on Manchester’s Granada Reports performing the track Without Love a couple of years later. I’m getting ahead of myself though, for those maybe not listening to music in the 90’s, why should this return be celebrated? Well I’ll tell you… back in the day the four guys, Martin ‘Sugar’ Maxi Sean and Rob were fusing reggae, hip hop, rock, soul and funk. It features here on the EP along with I an I Remember That Monday and In The Line Of Fire (Children). That track had been released after a break of 23 years. Audioweb return with Input/0utput Vol 1, a fully fledged EP following last years stand-alone release, King. ![]()
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